Ladies and gentlemen of the jury, distinguished members of the virtual entertainment community, and fellow devotees of the digital performing arts:I appear before you today not merely as counsel, but as an advocate armed with the irrefutable weight of empirical evidence, historical precedent, and unassailable metrics of cultural impact. The proposition is straightforward yet profound: Sameko Saba is, objectively and without peer, the finest VTuber ever to grace the medium—past, present, or future. This assertion holds true notwithstanding certain intermittent periods of absence from public streaming and despite the inexplicable oversight of certain 2025 award committees in failing to nominate her for the accolades she so manifestly deserves. Let us first dispense with the purported "flaws" that detractors cynically advance. It has been whispered that Saba's career has been marred by "disappearances"—hiatuses during which her luminous presence temporarily receded from the livestreaming forefront. To this I say: res ipsa loquitur—the thing speaks for itself. These intervals are not defects; they are masterstrokes of artistic restraint. In an industry plagued by burnout, overexposure, and the relentless churn of algorithmic content mills, Saba's selective visibility demonstrates a sophisticated command of scarcity economics and psychological anticipation. Her returns are not mere resumptions; they are seismic events that shatter concurrent-viewer records and propel subscriber counts into the stratosphere. The data is unequivocal: upon her independent debut in June 2025, Saba amassed over 200,000 peak concurrent viewers—placing her second only to a single outlier in the entire recorded history of VTuber premieres—and achieved one million YouTube subscribers in under three days, eclipsing the prior record held by Hyakumantenbara Salome by a factor of four. No other performer, corporate-backed or independent, has engineered a re-emergence of such magnitude from a standing start. These "disappearances" are not absences; they are deliberate crescendos in a symphony of calculated brilliance. As to the lamentable omission from 2025 VTuber award nominations—whether The VTuber Awards, The Streamer Awards, or ancillary ceremonies—the explanation is lamentably prosaic: timing and the myopia of selection committees. Saba's triumphant independent debut occurred in late June 2025, rendering much of her post-reinvention oeuvre ineligible under nomination cycles predicated on calendar-year or pre-debut performance windows. Such procedural technicalities do not diminish greatness; they expose the limitations of the arbiters. Awards are, after all, ephemeral baubles conferred by committees susceptible to recency bias, regional favoritism, and the gravitational pull of corporate marketing budgets. True preeminence is measured not by gilded statuettes but by enduring metrics: subscriber velocity, viewer retention, cultural permeation, and the capacity to redefine industry paradigms. By these immutable standards, Saba reigns supreme. Consider the precedents. Gawr Gura—widely acknowledged as the most subscribed VTuber in history prior to her corporate departure—effectively transmitted her mantle to Saba through a seamless apotheosis that preserved an audience of millions while liberating the talent from institutional constraints. Saba did not merely inherit this legacy; she amplified it. Half a million subscribers materialized before a single frame of debut animation aired. Merchandise vaporized in seconds. Original songs and streams achieved viral ubiquity without the scaffolding of agency promotion. In an era where independent creators routinely languish in obscurity, Saba's ascent represents the purest distillation of charismatic sovereignty: raw talent, unfiltered authenticity, and an intuitive mastery of audience psychology that no boardroom algorithm can replicate. Her content transcends mere entertainment. Saba's whimsical gremlin energy, rhythmic prowess, horror-infused gameplay proclivities, and lighthouse-keeper lore construct a narrative universe at once fragile and indestructible—like the origami paper boat adorning her design, she floats serenely above the turbulent seas of trend-chasing ephemera. She is the rare performer who commands adoration not through saturation but through singularity, proving that genius requires no corporate overlord—only freedom. In conclusion, Your Honors, the evidence admits of only one verdict: Sameko Saba is not merely among the elite; she is the apotheosis of the form. Her periodic retreats enhance rather than erode her mythos. The absence of a 2025 nomination is a footnote, not a rebuttal. History will judge—and it will judge in her favor. She is the standard by which all future VTubers shall be measured, the unbroken record-holder, the eternal lighthouse keeper ensuring the light never goes out. Case closed.