>>21478484CCV is actually a great indicator of success, anon. If you want to actually do some REAL market analysis, check this:
At Twitch, with 500 concurrent viewers, you make 30k/y exclusively on ad revenue. Double that for 60k/y, so at 1Kish concurrent you can make above American middle-class income as a streamer purely on ad revenue. This does not include sponsorships, donations, VOD ad revenue, or subscriptions. YouTube streaming is known to have way better payouts, as well as being more talent favored in general, so these numbers are likely higher for YouTube streamers.
It is literally impossible for any Holo or Niji to fail as long as they maintain over 500 concurrent, which is incredibly easy to do with the massive amount of marketing and help they're be given by these corporations. It literally pays for itself; there's no way any of the models or talent contracts are worth more then 40K/y, unless you're trying to rope someone like Senzawa in, as she came with a massive YouTube following, so can likely negotiate a way better contract. Not that any of the talent actually does this, because Holo and Niji exclusively market their auditions to mentally ill shut-ins who have little-to-no real life or performance experience. A model costs like what, fucking 2K USD? 42K total yearly requirement to take a nice 20% cut of the overall streaming revenue? As long as your streamer is up for a few years, you should easily make that money back.
I have no knowledge of internal Holo/Niji contracts, I am speculating based off acting/performance contracts that I have both reviewed for friends and signed myself. 15-20% is standard agency fee for talent, I'm convinced Holo/Niji MUST assfuck their talent hard because they know that these people have little industry experience overall. Might be 40%. 
