>>2787141It's a tribalist shitposter you're responding to but I'll try to answer your question because I figure that most people on /vt/ are pretty unfamiliar with Nijisanji.
Basically, compared to Hololive content, they cast a much wider net both with more talents and with more niche/specialized content. If you only watch Hololive, then the vast majority of streams can be classified into either 1. Gaming, 2. Zatsudan (Talking), or 3. Music (Karaoke, Cover Songs). Cover is also more selective with their applicants and has stricter requirements about streaming, most talents after 2nd Gen are required to stream at least 3 times per week and until Bloom, everyone was required to take part in events like Holofes. This is not to say that they don't do other types of content (ASMR, Asacoco, Meme Review, and Haachama saga) but they're rarer and as evidenced by the last example, Cover does have a heavy hand in what kinds of content they are allowed to produce.
Nijis have historically had better game permissions than Hololive so a lot of them are more focused in the kinds of games they play. There are even a couple like Ryushen, Sayo, and Uiha who basically don't play games at all except in collaborations or other special circumstances. In comparison, even the Holos that are thought of to be musically focused like Suisei and Towa have a majority of gaming content on their channels.
There is more freedom to do unorthodox streams, key examples include Nazono Mito segments, Tamaki making UberEats drivers race each other, Ririmu doing calculus homework for 6 hours, and some of Mashiro's weirder Zatsudans.
Nijis also tend to be part of more subunits that than Holos and in general the company has more "cliques of friends" atmosphere than Hololive's "family" atmosphere, at least that is how I view it.
