>>33960654>Even Sana, the ultimate tommy hort chuuba, was an accomplished artist before being hired. Which begs the question, what the fuck was Cover thinking, hiring someone who's only/main standout quality was that she was an ARTIST, and who had to my knowledge little to no prior streaming experience, for a STREAMING job?
Being a good artist doesn't make you a good streamer. It doesn't say shit about your ability to entertain an audience for hours, or your motivation to actually stick to the job, etc.
Did they just yolo it, thinking "hey we hired people from unrelated fields with no prior streaming experience before, and it worked out great, surely we can push our luck and roll the dice again and it won't be a dud! The last artist we hired as a streamer for the previous gen did well, and she even recommended the current one, so that's like double the guarantee of success, right?!?!?!"
Or did they even fall for the scam of "hurrdurr having an artist as a streaming talent in our group means she will produce lots of art for us for freeeee!!!", as was the going copexcuse that many Sanalites swallowed and regurgitated when having to deflect from the fact that their chinkdicksucking whore of an oshi was just an apparent lazy cunt and the deaddoghort excuse got too ridiculous "n-nuh uh, you see, she's not just lazy, she...uuh... is ackshually totally working on sooo much artwork for Hololive in the background that it just keeps her too busy for streaming, okay? Stop complaining, you entitled incel chud, when her 1000 page artbook will suuurely come out SOON(tm)(any day now...) you'll all be forced to KNEEL and APOLOGIZE!!!"
And in the end what did she actually produce for Hololive during her whole time there? One debut artwork and one anniversary tapestry? (I'm even being merciful here and don't count the low-effort "mascot" abominations). Wooow, great output, Cover really got much value here, it was really worth wasting a streaming talent spot on this for.
