>>51828292First of all, since it's a broadcast control room, you don't really need something NASA-tier. By broadcast industry standards, Cover's control room is already pretty big.
All you really need in a control room is a seat for the producer, a seat for the guy who makes the broadcast graphics, a seat for the director, a seat for the technical director (preferably beside the director), and seats for the audio controller, plus other ancillary guys like graphics producer and the guy who plays the b-roll.
Just get one or two big monitors to view the major camera feeds, (more if you're producing a live show), and you're basically set. Everything else after that is just some sort of add-on.
t. someone who worked in the broadcasting industry 
