>>6118467> Though I wonder, if we keep doing these threads will more people realize how important good singing and improvements are and will they simp for that aspect more in the right situations?Depends on what you define as simping to be honest - Suisei, for example, is very reliant on Utawakus from a channel metric perspective, since she draws triple her audience numbers when she sings versus any other content.
One nuance that definitely has finally emerged properly in this third thread is that every singer in Hololive, bar Azki are developing to varying extents. You are talking about singers here we are fortunate enough to see develop on a near-weekly basis, over a prolonged period of time. Especially with Watame, who literally sings every single week, almost without fail.
> Watame can put too much emotion in her singing because she doesn't have good sense in when and how to put it.To me, Watame's challenges with emotionality are linked to the fact she doesn't have a very flexible timbre yet, and that kind of issue is subtler and trickier to work on than pitch control. So she just can't "dial" that emotionality up and down or change the "color" of the emotionality - going from happy to angry or happy to sad etc is something she doesn't quite have yet. The issue bears quite a few parallels with Nene too come to think of it (Nene got flack for her Ussewa cover in several quarters because of this).
