>>6385521Well this thread seemed to be comparing NijiEN to Hololive and I assumed most people here have no exposure to any Nijis besides NijiEN.
You're right though, it's not like it's a super good song but it has actual idol-level production quality while Hololive releases shit like the HoloEN Country Roads cover or Gura's original song or literally all 3 of Kiara's original songs that have production errors all over.
Like, if Diamond City Lights popped up on Spotify it's something I could see myself actually enjoying listening to, while Hololive's music is largely just riding on the popularity of the talents with the cheapest production possible. Mori and Suisei pump out high quality content every time because they're perfectionists that take an active role in the production process of their works, and some individual songs like Okayu and Towa's and
Red Heart are legit bangers but Cover has really low quality standards it seems like. Azki is a great singer of course and I feel kinda bad over how she's so mismanaged. She was a legend in the vsinger/utaite community and yet has lost relevance as Azki, it probably eats away at her how bad Cover wasted her talents.
Idunno, feel free to call me a tribalfag or a schizo or whatever, but I get way more excited for Niji song releases than Holo ones despite one being explicitly music-focused, which is a shame. Watame deserves way better than the mixing she got on her most recent song, she's a great singer.
