>>665460> You can make a living off of music without becoming world famous.Better keep it your second job though, it sure as shit isn't a stable income. Japan's venues are less shit when it comes to paying their acts, but it's still a shit ride.
> Perhaps she can even break out in japan as an artist rather than america.Some of the people I know over there spent a good 10 years in the same circuit she was at before Hololive without any real progress. She probably knows some of them, most of them in their mid 30s now, still doing the same fucking circuit. Fuck, I recognized the clip from Batica, and it still looks the fucking same from when I was last there with the fucking chandeliers on 1F. Once you stick around a while treading water at the same place, you become "known" and you get stuck only treading water. I honestly thought it was a smart move of her to do the Hololive thing, instead of keep treading water at the same places.
The longer it takes, the older you get, at which point the audience tends to get much younger than you, reducing the odds that she's going to break out as "not-Mori", since we're discussing that as a long term goal.
Nah, Hololive is as good as it's going to get for her, unless she does something phenomenally good. She may have that in her, I dunno. The Hololive thing is likely going to get in the way of that though. She has to invest a significant amount of time grinding for superchats, collab with talent for music for Mori, and then work on music for "not Mori" in order to get that dream going.
I just don't see that happening, not without sacrificing everything which will reduce her odds again. I'd be pleasantly surprised if she does break out in Japan. I'd root for her.
Outside of Japan, nah... "Not Mori" doesn't stand a chance there.
