>>75198345Here's the reasoning, then.
Gura's natural pitch control is unrivaled in EN, and (arguably) in all of Holo as well.
Her volume control is also unrivaled.
She can shift back and forth between normal voice and falsetto effortlessly.
Her approach to pitch and volume modulation doesn't change, so the experience is about the same live as in the studio.
Her voice has power, but she does not abuse it, nor does she need to resort to vocal tricks (excessive vibrato, Broadway-style histrionics, breathiness, etc.) in order to get a song "over".
Her song selection showcases her versatility. She can sing JPop, KPop, country, jazz, bubblegum pop, folk, R&B and/or bluegrass without having to mimic the voices of other singers.
Most importantly - Gura can "sell" a song very, very well. Doesn't matter what language it's written in, either.
Gura's been at this for much longer than people realize. She learned a lot during her days as a producer of meme content. Lightning in a bottle.
