>>83480373Your frustration is clear, but I think you're overlooking some important aspects of Hololive and the challenges the talents face. While it's true that not every talent streams as often as they used to, it's crucial to recognize that many of them have diversified their content and activities. They’re involved in a variety of projects like concerts, collaborations, and other creative endeavors that contribute to their growth and the brand's longevity.
The notion that Hololive isn’t reaching new people is debatable. The platform has a global fanbase that continues to grow, and many talents have seen success both in and outside of Japan. Burnout and challenges are real in any industry, but to say that Hololive hasn’t done anything positive for their talents in years is unfair. The company provides a platform that allows these talents to reach a broad audience, giving them opportunities they might not have had otherwise.
The business side of things, like investor relations and financials, are necessary for any company’s survival. These aspects might seem disconnected from what you, as a fan, want to see, but they’re vital for sustaining the organization that supports the talents you care about.
It's understandable to want more streaming content, but it's also important to acknowledge the broader scope of what Hololive offers. The talents have their own creative goals and ambitions, and Hololive provides them with a platform to explore these while also entertaining their audience. Instead of hoping for the company’s downfall, it might be more constructive to support the talents in whatever endeavors they choose to pursue, as this will ultimately contribute to a healthier, more sustainable environment for everyone involved.
