She is very self-producing.
She intervenes in music videos, songs, paid concerts, their production and expression.
She also intervened in the concert production on the first day of the 4th fes, and her overall direction was praised by 5ch.
The management sometimes refuses when HOLO members complain about the production.
However, when we did what SUISEI said, we succeeded with high probability.
The management will follow what the “better director” says.
4chan is not happy with the fact that the management does not act as gura wants it to act in music-related matters.
anon says that the management is rejecting gura's suggestions.
From what I have seen in holo over the years, it seems that the management decides whether to reject or allow a proposal based on two criteria: whether it is a “successful or unsuccessful proposal” and whether it is “inflammatory or safe” in terms of intervention by holo members.
In other words, I suspect that gura's proposal is being rejected there.
Also, suisei is very busy and is widely performing using his vtuber IP.
AN, however, for the Japanese Vtuber community, suisei is busy with regular radio shows on national broadcaster NHK, TV shows, and magazine interviews.
In the process of this work, her music becomes more widely known.
The busiest person in holo for vtuber activities is likely to be suisei, whose stream time is very little in holo.
In Japan, posters in train stations, magazines, and ad trucks... the whole sight of Japan's cities is full of vtubers.
The advertising landscape is 360 degrees, with vtubers, anime, games, manga... There are even sex stores operating with holo billboards without permission from the cover company.
The scenery is quite different from subway advertisements in New York or Los Angeles.
Streaming is still the basic activity of vtubers in Japan, but they can also extend their own brand IP through activities other than streaming.
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