>>97015783Ah, my dear friend, I believe you’ve misunderstood the true nature of the black box, for it is not merely a metaphorical representation of societal constraints, nor is it a subtle critique of cultural expectations between Japan and the United States. The cube, my friend, is far more profound in its implications.
Let us delve into the heart of this conundrum. You see, the black box is not merely a physical or metaphorical prison; it is, in fact, an artistic manifestation of the very nature of virtual performance itself. The performers, suspended in the cube, are not confined by society’s expectations, but liberated from the limitations of physical space and time. The cube represents a boundless realm, a space where the boundary between reality and virtuality is blurred, where the traditional stage is but a relic of a bygone era.
Moreover, the cube does not simply house the performer; it interacts with them, amplifying their presence, their movements, and their energy. It is the embodiment of the digital age, where the stage is no longer confined to a physical location but transcends into the infinite expanse of cyberspace. The cube, therefore, is not a cage, but a lens through which we view the performers in a new light—one that redefines the nature of concert-going itself.
