>>97434354All nigger music for the past century has been written (and in many cases recorded) by whites and jews. In the modern era this process has been industrialized to the point that pop/hiphop/rap songs are written by graying jewish bastards in a board room before being sent off to the studio for production where a recording tech sits a random black guy in front of a mic, has him mumble the prewritten lines, and has him out of the door in 15 minutes. Then a producer makes a generic beat in fl studio without ever listening to the vocals, the two tracks are slapped together
Then it is released to guaranteed (by way of collusion with media groups) success, so that gutter trash and brainrotted white girls can all pretend that it is the greatest thing theyve ever heard.
Ive explained this here, on /mu/ and on /pol/ before.
Music quality is a metric completely divorced from a song's popularity. There is no correlation. Sometimes an artist is popular because they are talented, others are popular despite being talentless retards. Sometimes an artist is unpopular because they suck, others are unpopular despite making amazing music.
What other red pills can I drop about the music industry here? Oh yeah, you know how it seems like every single time any musician voices a political opinion, they are ultra-leftwing faggots? That is because all musicians are contractually obligated to never openly espouse rightwing beliefs (or if not by contract, then it is strongarmed by their pr team, who work for the (((usual suspects)))) this of course doesnt apply to controlled opposition type personalities (usually country music stars) who are only allowed to exist to mollify the masses.
Sorry for rant, but hopefully I shed some light on reality for someone here.
