>>18961400thank you.
All it is, is using my bottom two strings "B" and "E"
I have to make sure I'm using a key that has both B and E.
I then use those two 'passing' notes to seamlessly pass through chords. It feels less like a hard, rigid chord, and more like a morphing blob that can change.
I barely move my chords either. I make sure they are all right next to each other by playing 'chord tones' (notes of a chord.)
That chord progression moves as such: (Aadd9, A Major 9, A6, A6 with a lower A, and then A6 with a C# added.)
It was all fucking A. One big ass A.
But I played them slow so you got to hear F within A, and then see it morph into F, and then A into F, and then morph into A.
>>18961257>*sigh* 
