>>4239444Yes. Problem?
>>4239448>10fpsMore than enough if you have a modicum of talent. Actually too much. The AF on that piece of shit is already too much.
>4k 30fpsAnd? 24fps is THE standard, and 1080p is there for slow mo. Hollywood films have mixed in lower resolution footage and you didn't notice. Some fugly soiyim on youtube probably paused the video and zoomed in, however.
Lol dont forget photo camera and cinema cameras are total opposites, or you start piling on the dough just to brag about it (or have a more versatile backup camera). IBIS and AF are absolutely unwanted on anything with video specs that are destined for more than home movie shit and youtube and get turned off, megapixels are the enemy of good video (or else canon would have pulled another 5ds with an 80mp FF already), etc. Besides, you can't take photos and videos at the same time with the same camera, just screengrabs from the movie. For the cheapest possible business that does video and stills buy an a7riii and a canon r6. The metabones adapter means they can share lenses to an extent. And, most importantly, hire an assistant who knows how to run the r6 on a gimbal.
>8 bit colorIt's 14 bit color in the mode it's bought for (stills).
>Micro HDMI portOh no, you need an adapter.
>Can you really not envisage anyone wanting different features in a camera?When someone "wants" more video features in a stills camera my mind goes to talentless sacks of shit like the guys running camera conspiracies and gerald undone. "Ok but I want to upload 6k video to youtube and i need 10 bit no 12 - AND autofocus that works really well on my face at arms length" yeah, no, stop, you shouldn't be allowed near cameras. Cinema SHOULD in fact be gatekept as hard as possible especially from this brand of gearfag.
