>>4250880Either a lower angle or a more shallow depth of field would have helped the car stand out more. It's a little too busy otherwise.
>>4252505It's giving Wes Anderson Vibes, very well done
>>4252546A great example of environment/context with this one. Makes the divers look small and the sea feels huge.
>>4253396The over-exposure on this one actually works well, feels like she is being enveloped by the "light a the end of the tunnel". With regard to metering, E100 only has about 5 stops of effective dynamic range, so it really pays to use Ansel Adam's zone system here in order to get a good sense of what the negative will turn out like. If you are gonna keep shooting landscapes, especially with positive film, get a spot meter; it makes a world of difference. Here is a good video on how to use one for this:
https://www.youtube.com/watch?v=Mh3mkWMRpew&t=1137sIn a pinch, just try metering the sky, then the ground and if they are 3 stops or less apart, shoot the halfway point between them and you should be fine. Worse comes to worse, try bracketing.
>>4254133These are phenomenal colors and I love that the kids are out of focus. 10/10
>>4254675Not to be a normie but this would look great as a long exposure. I am a sucker for that shit.
>>4254970all the little differences in color in the trees make this look like an impressionist painting, could use a boost of saturation though, or at least some dehaze.
>>4255379Love it, perfect gradient and light falloff, hella ethereal.
>>4255870Cool shot, but you should just lean into it, crank that fucking contrast (or drag the left side of the levels curve right) and make it a full silhouette
