>>4260979>Before jews found you, whites practiced bestiality for fun. This is just bullshit
>Jews also invented cinema as an art form rather than a noveltyEven as a "novelty" the creative intent was there from the start. Jews merely usurped the art in Hollywood. Cinema reached its highest point thanks to D.W. Griffith. Ever heard of Birth of a Nation or Intolerance, made as a response to the critics?
Intolerance alternately tells four stories of injustice: the massacre of the Huguenots in France on the night of Saint Bartholomew in 1572, the passion and death of Jesus Christ, a contemporary workers' strike, and the fall of King Balthasar's Babylon in the year 539 BC. . C. before the attack of Cyrus II the Great, king of the Persian Empire. These four plots are linked by the image of a woman rocking a cradle. As the stories reach their climax, Griffith makes the alternating montage faster, with increasingly shorter sequences, creating tension towards the outcome of the four stories. The film stands out for its bombastic scenes. However, Intolerance suffered great losses, as its success was not as expected. The structure was too complex and the intellectual and moralizing intention of creating a reflection covering the entire history of humanity was misunderstood by those who asked cinema for entertainment, intrigue and emotions over moral commentary. It was praised by critics, although its pacifist message was rejected in a Europe immersed in the First World War and by sectors prone to interventionism in American society. However, the subsequent influence of this work was enormous, as in the directors Erich Von Stroheim and Minoru Murata, but in particular for the constructivism cinema of the Soviet Union, receiving praise for its scope and purpose from, even, the same. Lenin. The montage school of Soviet cinema of Lev Kuleshov, Dziga Vertov, Sergei Eisenstein, Vsevolod Pudovkin and Alexander Dovzhenko developed in part thanks to the study of his masterpiece.
