>>71558489NTA but one of my many problems with Mori is that she doesn't believe her own songs. Then I realized she just writes what she thinks people want to hear or what she wants to believe.
For instance, Off With Their Heads was a triumph and a banger. It was about being the top of her game and has the famous line "Who the fuck pays my rent?" which is about her living rent free in the heads of her "haters" namely Vtweeters, indie friends she left behind, and /here/. And it's a great sentiment except it's totally nullifed by at least 4 songs she released later where she goes off against the haters again and again. And by her cuck comic retweet and meltdown. And by her Reddit meltdown. And by subsequent venting on her RM. It becomes increasingly clear that Anti's don't have Mori living in their heads rent free, they live in hers.
End of a Life is a great fucking song. It came at the end of one of Mori's more turbulent periods and it was a farewell to her old life and a full embracing of who she was a member of Hololive and all that entailed. Except that's not how it went either. Later she crawled back to FAKETYPE who was a real dick, to the point of releasing a thinly veiled diss song about her success, as well as others, and she continued to act in non Holo ways and vent against the practices and company on her RM.
Her songs don't mean anything because she doesn't actually believe them. Songs that people live are more impactful. She's still small minded and very childish in a lot of ways and her songs are all about acceptance and moving on when she never does. She keeps making the same mistakes over and over again while singing about how she's changed. Her hero, Eminem did a whole album about how he was clean from drugs and how he was going to live for his kids from now on, it'd be like if he suddenly started doing drugs again and abandoned his kids. And I know Deadbeats swear she's better now and personally that's debateable but when she released those songs and for a good while after, it just all rang hollow.