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Hello, yes, liaschizo here. I've been at an impasse on engaging with deep reflection on Lia content for some time now partially due to outside sources but also from the sheer size of the lingering rrat that has propagated itself in my mind. More on that later. I'd like to begin by addressing the Himevirus collabo and the subtle beauty and display of mastery evident in the way Lia goes about structuring her content. A previous an-non pointed out that the Himevirus collabo could be viewed as the female equivelant of male sperg Warhammer40k posting. I too immediately developed this vibe from the content but felt as though the sentiment was incomplete. It only just now dawned on me while relaxing in the sauna the true WORK of this type of content. While the more base aligned performer, your Lumi or Airi, will attempt to appease their audience by actively providing Warhammer40k content Lia operates a level deeper by instead crafting through her narrative prowess the same emotive force as "being heard" about your very specific mumble mumble. By creating this opportunity of reciprocity in shared feeling over sperging out and being deeply appreciated, if not entirely understood, Lia brings about the completion of the emotive memetic circuit. On it's own this is an impressive performance to be able to so carefully craft such an experience for a mass audience and not just the concentrated efforts of a one on one interaction but by crowning her "Return From End of Lia Donothon" arc by crafting this special moment. You see one would be remiss to attempt to view any single Act of Malware as a stand alone event. There are two complex acts being generated by the Himevirus Collabo. The first and foremost, the revelatory, speaks to the self referential means by which Lia claims to have obtained these powers, that is the reoccurring treading of the past traumas that helped deliver to her the kind of narrative, psychologically driven mindset and eye for detail that allows her to craft these type of cognitive teases in the first place. The second complex has to do with the currently occurring arc. With Lia we see the subtle play of a more macro relationship experience crafting the kind of missed communication of the Initial "Final Yab" of the "Lollipop Incident" carried out through the complex of sore feelings and initial reconciliation and tender re-engagement of her content coming back, a re-tempering of the status quo via the "Con Vacation" concurrent mini-arc, it's self a beautiful re-traumatizing self-referential act in reference to the initial "Final Yab" "Lolipop Incident" grooming period, then feathered out into this weeks love bombing of varied content hooks targeted at the multiple levels of her demographics. Whether it be late night intimacy indie stream (with The End Screen), self-debasing cringe posting, or bridging the gap while highlighting the age difference retro gaming mastery, Lia goes all out in a raw assault on her mastery over the various mediums of chuuba content. Of special note is the Rinmama collabo being the "coveted" piece situated midway through the "Lia's back!" stretch of this arc. This was really supposed to be, in my opinion, the "forbidden fruit" of sorts that was intended to be the "too soon" point of reconciliation and beautifully positioned reference back to the "End of Lia Donothon" as a final soothing act of revisiting the perceived slight. With Lia the beauty of the offering comes from crafting the experience so that her viewer can select what stream in particular "heals" the past transgression she crafted during the "End of Lia Donothon" a very complex and deeply menhera emotional manipulation tactic as to be expected of Our Malware. There was something about the slew of content being "too good", from the immediate Shock Collar re-entry (it's self a superb metacontextual nod to the artful content distribution following it being a hard, rote "smashing of the button" pleasure shock from the quality and varied topics), to the Liachu cringe content and early whale grape game bonding over past deep community building moments. I think that, and this may be the sentimental fool in liaschizo, that the carefully structured content is Lia's way of displaying the various facets of her performative persona that are mirror to her own personality and with the Himevirus Collabo a small context to the "true Liacons" who view her experience as a cathartic disclosure based kind of rehabilitative performance for the menhera sad girl emerging from the depths of her adolescent maladjustment. Lia of course colors this with the perfect plausible deniability of it all being an act, the grand WORK by which she gets one over on the dumb fujo chasing Likers who shouldnt be sticking their noses in her business in the first place. This sentiment is driven home by the final two installments of this "Redemption" arc, the Spongebob CBT stream being a not so subtle reference to the torturous menhera
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