>>12444637I think she hasn't committed any yabs in recent memory. Most people just find fault in her personality. Inoffensive and polite to a fault, and I've seen someone call her "too Japanese." As a result she never takes initiative, and doesn't push the boundaries very much. Japanese autism causes her to self limit herself on collabs. It seems like she collabs more with outsiders than actual Holos sometimes. And when she does collab with another Holo, it's pretty much only with AZKi. I love her music content but as a streamer she's a bit of a dead weight. Focusing on her idol reps also causes her stream quality to suffer, she streams on the lower end of Holos and it's mostly Minecraft (when was the last time she played a horror game?). Motion sickness also kneecaps her streaming options. When she does try something new (some of which is well liked), it's often dropped never to be seen again. Dual mic, opera, flute, mixing, etc. It's been a full year since she's played the ukulele live. She doesn't know how to manipulate social media, and she puts down any memeable moments of herself making her difficult to clip (but it saves her from flanderization). Seriously, "x janai yo" is probably one of her top 10 phrases. She could have rolled with a mommy/older sister personality, Goddess, ninja, yandere, etc. Back in the old days she had management forcing their ideas upon her for those skits, but nowadays without that external pressure she kinda settled into a groove due to her shit schedule. For someone who touts herself as a person who likes to cover songs, one wonders why she or her manager is dragging their feet on unprivating songs. There are over a dozen songs locked in limbo right now. I would describe her as a good streamer to start up a company, but not one to grow it. Although it seems like things are changing, she's interacting more internally within the company, and I like to think that she's branching out in content a bit.
