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No.37703871 View ViewReplyOriginalReport
>The early tragedies had only one actor who would perform in costume and wear a mask, allowing him to impersonate gods. Here we can see perhaps the link to earlier religious ritual where proceedings might have been carried out by a priest. The actor also changed costumes during the performance (using a small tent behind the stage, the skēne, which would later develop into a monumental façade) and so break the play into distinct episodes. Later, these would develop into musical interludes. Eventually, three actors were permitted on stage but no more - a limitation which allowed for equality between poets in competition. However, a play could have as many non-speaking performers as required, so that plays with greater financial backing could put on a more spectacular production. Due to the restricted number of actors then, each performer had to take on multiple roles where the use of masks, costumes, voice, and gesture became extremely important.

What do you think is the ideal number for collabs, /vt/?