>>49099719>Again, it's not the fact that she returned at all, it's the fact that she made a big spectacle out of her departure with every person in the company crying over her and treating this as the darkest day in the industry and how the world will never recover from her leaving only for it to turn out that she was planning on coming back, doing the exact same content with a model by the same artist so shortly after. It makes the decision to have such a big sendoff, making all the people in the company cry over her, seem less important and fake.Idiocy. Pure diluted idiocy. What, you think she forced her co-workers to cry over her, somehow that's her responsibility? It was wrong of her to make an effort to say goodbye properly, because it didn't feel final enough to you after the deliberately placed corporate haze obscuring her simply quitting a job as some kind of magical event finally faded?
As for coming back with a new model, yeah no shit. Literally everyone with an IQ about 70 knew that was going to happen. She couldn't talk about it as Coco, LITERALLY COULD NOT because that's how corpos like Hololive work, she can't say anything about going Indie or her real life plans except in the vaguest possible terms because the fact that she was Coco at all is still under fucking NDA to this very fucking day.
Yes, Graduations are stupid. I think so, Kson herself more than anyone fucking hates graduations with the heat of a thousand suns, but the fact that they continue to exist is never, in the slightest degree the fault of the talents that just want to get out of a shitty job and move on. If you hate graduations so much, place the blame where it deserves to be placed, with greedy corporations that are trying to use IP control as a lever to try and pressure employees into never leaving them. It's a stupid system and the sooner it dies, the better.
