Quoted By:
>THE YEAR IS 2029
>The invisible war was already settled with homobeggars retreating to the depths of their own territory
>Hololive Expo merged with Hololive city and became a permanent fixture in the outskirts of HoloTokyo called "Hololive Metro area"
>From Ikebukuro to Shijuku, from Harakuku to Shibuya, passing through Roppongi to Ginza and the Hololive Palace (formerly Imperial Palace) all the way to Akihabara, Hololive was given full reign over the city center as a reward for the great work in increasing Japan's birth rate and smoothing relations with foreign countries due to the relentless work of their ambassadors
>...
>Holostars was split from Hololive Productions into Holostars Productions and given their own budget and their movement restricted to the outskirts of the city close to Yokohama, where a wall was build to contain their members and their fans
>Due to severe lack of fans, this Holostars ghetto became a "no go" area in Tokyo, only visited for periodic food deliveries and in "scare straight" school trips, with children warned that if they don't eat their vegetables and become upstanding citizen they might become a Holostar someday
>...
>Despite of that, due to the infinite benevolence of Cover's CEO, they are still granted participation in the Hololive Metro Expo in a 17 seconds aerial drone footage in the middle of the 72 hours long program
>...
>This year's presenters are once again, Fuwamoco
>Tension is felt in the air, as their first faux pas was not forgotten, and the VOD of the Hololive English stream is nearing SEVEN HUNDRED THOUSAND COMMENTS by now, the most commented VOD on Youtube by a large margin
>Youtube had to implement a "filter" function similar to 4chan's and made "I don't even watch the holostars" part of the default filter, with removes the bulk of the comments, leaving only short of 300 comments unfiltered
>...
>The scheduled time for the 17 seconds appearance of the Holostars ghetto nears.
>Their cast and their remaining supporters in the ghetto created a HUGE sign made of burning Hololive merch which spells "DODGE THIS, FWMC!"
>The proceeds of this sale, incidentally, beat all records of merch buying in the Holostars ghetto, with more than 10x the revenue of the Holostars merch in the same area
>...
>It's the top of the hour, 5AM JST, a slot that was chosen because there wouldn't be any children awaken to witness the horrible living conditions in the ghetto
>Glued to the only computer capable of playing streams live (a detail they never had actually noticed for the past five years until now) they count down
>10, 9, 8... (FWMC are happily talking)
>"And after this segment, we'll cut to the scheduled change of venue"
>"We'll be showing something different from the usual cheery happiness"
>....
>7, 6, 5, 4
>The camera director motions for the swift camera cut, ordering for the aerial image of the Holostars ghetto to be shown
>3, 2
*** RING RING ***
*** RING RING ***
*** RING RING ***
(that sound of iPhone ring that Haachama used for her schizo arc)
>a giant image of Pero appears in front of the overlaid screen on Fuwamoco stream, covering the whole live feed
>"MOSHI MOSHI"?
>"PERO? "
<"PERO-EH?"
>"Yeah, yeah, we can talk right now!"
>"Pudding? Yeah, this is a special day, you can have ONE (1) scoop of pudding!"
>Pero voice is heard thanking the hosts while Mococo mouth keeps suspiciously being tracked as moving at the same time (?)
>...
>angished screams are heard coming from the live feed, the sound of about 300 hundred souls (all of the Holostars audience) screeching in anger and despair
>the allotted time for the Holostars ghetto ends, and the camera cuts back to Hololive City and the wonders of the expo
>Pero image disappears from the screen, and Fuwawa and Mococo look deep into the camera and, with a slight sad expression say
>Ruffians! W.... We.... We apologize
>...
>WE APOLOGIZEFOR NOTHING!
>SORRY FOR PARTY ROCKING!
(Curb your enthusiasm starts playing)
Directed by Robert B. Weide
