>>16015581aight i reviewed it
>watson, watson>got a lot of thoughts on the shit that she's doing, it's nothing short of awesome>number one detective, on the casegood! watson/awesome rhyme is cute
>you mess around? you act a clown? your existence gonna get erasedsounds suspiciously like a reaper bravado line she repurposed desu but eh, stock lines are part of freestyling
>she's gonna take you out of the timeline>using the power of her deductions and sick rhymesgood!
beat your shit in 'til your ass say da-me
and don't even think about getting close to small ame
"beat your shit in 'til your ass say X / [anything at all that ends on a rhyme with X]" is generic bravado recycling again, but once again freestyle will always have filler, no big deal
>happy birthday, happy birthday>show you what you're worth day I guess it's a decent twist on the incredibly tired "birthday / worst day" cliche...
>my dumb ass slept in, let me tell you it's the worst dayoh, wait, no, there we fucking go
>happy birthday, show you what you're worth day>my dumb ass slept in, let me tell you it's the worst day50% self deprecation, 50% being proud enough of the basic bitch rhyme to repeat it, 100% about mori
>I want to make you feel special>this fuck-up is heresy>this rap, it had potential>now it's secondhand embarrassing there's so much wrong here. heresy / embarrassing is barely a slant rhyme if you mumble it. there is no wordplay between "special", "heresy", "potential" and "secondhand embarrassing" at all. more self-deprecation. content goes "you, me, my rap, me".
should have dropped the mic after "small ame". second half is technically weak, should have been cut, but she included it because it's all about her.