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Muhammed Muheisen

No.4523629 View ViewReplyOriginalReport
This photographer uses photojournalism not to document and make a testimony of refugees, but to show that children are the main victims of war but nonetheless experience joy and rebellion against their conditions.
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No.4523555 View ViewReplyOriginalReport
How do I describe light to an AI so it understands?
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No.4523598 View ViewReplyOriginalReport
The camera is merely a vessel. I am the marksman

/ast/ - Astrophotography Thread

No.4508584 View ViewReplyLast 50OriginalReport
Previous Thread: >>4408437

My astronomy club is doing an outreach on smart telescopes in a few more months so I decided it pick up an S30. Its been delightful so far; setup is a breeze compared to my primary rig. Think it will be a great little thing for more casual imaging. We're not in the best time of year for my FOV, but I was able to get a little time in on M5.
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/BBW/ Big Black & White General

No.4518587 View ViewReplyLast 50OriginalReport
Remember when everyone would come to this place to post fun photos and critique each other? We can and WILL have fun photo generals here again and not just another gear thread
You do actually take photos with those expensive cameras you're buying, right anon?
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!8pAWUYKYOo

/rpt/ Recent Photos Thread

!8pAWUYKYOo No.4519819 View ViewReplyLast 50OriginalReport
Bridges Edition
Former: >>4517511
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Is he the G.O.A.T.?

No.4521129 View ViewReplyLast 50OriginalReport
>be Shigemi Sugimoto
>former principal engineer of Olympus' camera business
>have your entire fucking division bought out by Japan Industrial Partners
>literally the King Von of the Japanese consumer technology industry
>killed Sony Vaio
>killed Toshiba
>killed Rohm Semiconductor
>killed Olympus' Telecommunications sector before they killed off their camera business
>raped Japan's thermography business
>spent the latter part of 30 years patent-trolling and carving out corporations

>buy back OM System with own money like a boss
>never make the company publically traded
>never sell out to Israel like Nikon (TowerJazz)
>one OM employee leaked that this motherfucker was gonna make a medium format Olympus camera before the company imploded

More autists like him should lead camera companies. He will save the camera industry.
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No.4484375 View ViewReplyLast 50OriginalReport
What makes Japan such an desired place for photography? I'm really trying to understand the hype around it. When I visited of course the size of Tokyo itself opens lots of opportunities but I quickly notice that it gets repetitive rather fast. All muh taxis look the same, the buildings have a pattern that repeats a lot. If you've seen a few shrines/temples.. in the end they all look the same. Even if you visit other prefectures you won't see much of a difference. Whenever I see camera vlogs or flickr uploads in Japan I now tend to skip because it's always the same.

My current number one location would probably be Germany. Still safe enough to bring your camera with you, every state has it's own architectural style. Towns are usually a comfy mix between old medieval houses in the center with grim 60s bauhaus constructions that look really odd. Also home of Leica where this sort of everyday compact photography started.

What do you think? What's your prefered location?
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No.4512047 View ViewReplyLast 50OriginalReport
>photography hero grows old
It's not fair bros
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!ozOtJW9BFA

Photography/Cinematography Science Thread

!ozOtJW9BFA No.4518089 View ViewReplyOriginalReport
A photograph is simply a photon's recorded wave function. It ripples through spacetime and is possible due to it being electromagnetic fields. Digital cameras treat its fields like a solar panel would. Why it act like this is in order for a photon to get its wave function quantization exist. So all in all it is just the energy of quantization. Possible due to the mathematical nature of the universe. And all of this photography is possible because a photon's wave function can be accumulated enough to be recorded. The joke I make about this is that it is like engineering an image from how a camera is exposed to the scene it sees from the ripples of light.
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